Happy Birthday to Me

Every year when I hit this mile post known as my birthday (or rather it hits me), I treat myself to a special movie of choice, a present and tribute to me, for me and by me. I honestly don't recall when this tradition of mine began, but I do know that I started to keep track as far back as 1993 when I took in Joe Dante's sweet little piece of nostalgia MATINEE.

Over the last quarter century, I've made some damn good choices film-wise, many of which I regard of some of my favorites of all time, a list so long it would be impossible to chronicle due to its sheer heft.  Among those birthday movies have been the aforementioned MATINEE, David Lynch's THE STRAIGHT STORY, Danny Boyle's SLUMDOG MILLIONAIRE, Darren Aronofsky's BLACK SWAN, The Coen Brothers' NO COUNTRY FOR OLD MEN, Sam Mendes' REVOLUTIONARY ROAD, Peter Jackson's LORD OF THE RINGS trilogy (one three years in a row), Alejandro Innaritu's BIRDMAN and oh so many more.

Birthday Movie 2007 was Guillermo del Toro's PAN'S LABYRINTH, a magical piece of work I admired so much that I have been anxiously awaiting a follow-up (or through) from this visionary director. Unfortunately, his subsequent efforts have underwhelmed and frankly, tried my patience.

Until now.

THE SHAPE OF WATER is flat out magnificent. This is why I go to the movies. Del Toro's innate and abundant sense of wonder shows in every single frame of this fantastic film. This is something recent cinema has lost, buried beneath overdone and used CGI with nothing else to back it up such as story, character and, most of all, heart. At its core, WATER is a love story. Del Toro's heart lies in the passion he coveys in his vision, execution and the art form itself.

His tall tale, set in Cold War-era Baltimore, concerns the non-traditional relationship between a mute cleaning woman and an aquatic man-like creature. Outwardly, it may not be the most original concept, especially if you reduce it down to a mash-up of CREATURE FROM THE BLACK LAGOON and SPLASH with a little BEAUTY AND THE BEAST thrown in for good measure. But del Toro's take on the proceedings, adding characters like Richard Jenkins' closeted artist (my choice for the Best Supporting Actor over Sam Rockwell) and Sally Hawkins' Elisa, the big fish's gf, as well as some wonderful homages to cinema itself, warmed my soul as no other film has in recent memory. There are nit-picky flaws here and there which kept from from being that absolutely perfect jewel, such as Michael Shannon cast once again as the heavy, though, thankfully not in a merely stereotypical sense.Maybe I appreciate these rough edges since they are honed down by some gasp inducing visuals and emotional points that embedded this film into my internal film vault forever. I floated out of the cinema in a state of bliss on yes, the shape of water..

Bravo, Guillermo. I'm sorry I doubted you. And thank you. I couldn't have picked a better birthday film for myself and THE SHAPE OF WATER was the perfect gift. I hope Oscar smiles upon you.