Showing posts with label Jann Harrison. Show all posts
Showing posts with label Jann Harrison. Show all posts

Saturday, October 05, 2019

Francois Goes to Hollywood

This year, DEAD TUESDAY, the interactive murder mystery formerly known as THE PERILS OF
FRANCOIS, celebrates its 5th anniversary. And what a year it has been, having its fullest production slate since its inception back 2014. Three different theater companies across the country staged this opus o' mine, not bad for a show I didn't think would get past its first production. Apparently, Jann Harrison's creation, Francois Fibian, the man who would be frog as interpreted by yours truly, has caught on beyond my expectations. It's not that I thought it was an inferior product. Not at all. I'm proud of this script, but it was just that it's so...odd, a little quirky for the general public. Blissfully wrong again.

NASHVILLE ARTIST JANN HARRISON'S WEBSITE

Ending the year with a bang, not a croak, DEAD TUESDAY's third and final production of the year will also be its West Coast premiere courtesy of SanZman Productions down in La La Land. Technically, it's not Hollywood, but that's moot as far as I'm concerned. SanZman will stage DT in several locations in the L.A. area.

SANZMAN PRODUCTIONS FACEBOOK PAGE


To make matters even sweeter, my friend Melanie Roady, the producer who commissioned me to write this show in the first place, gave me yet another wonderful and generous gift. Previously, she sent me the the latex mask from that first show in Nashville, a full head that sits inside the front door of my apartment. Now she mailed me a framed authentic Jann Harrison original of Monsieur Fibian. Her reasoning was that he belongs with his "daddy creator". Aw, shucks. That woman is the best.
As I stated in the past, I have blessed to have an angel like Mel in my corner. She put me on this path that I've been on for half a decade now, helping me achieve a third act in life and making me find my way once again. I am eternally humbled and grateful. Love you, Mel.

THE FRANCOIS SAGA BEGINS HERE

So this month wraps up the Year of the Frog and it's been all Francois all the time. In 2020, I have three bookings at this writing including my first here in Oregon. Huzzah! More to come (fingers crossed) including an interesting side hustle and some honest-to-goodness new material (fingers uncrossed so I can write).

As a former boss of mine used to say-

Stay tuned.

Performance rights for DEAD TUESDAY are available. Contact me at writtenbysc@gmail.com


Thursday, February 20, 2014

Croak and Dagger: A Frog Blog

Where the hell have I been ?

As of late, my on-line presence has diminished to a few paltry, however pithy posting on Facebook while this blog has dried up quicker than a California water bed (a reference both timely and outdated).

The truth of the matter is I've been spending some quality time with my new frog friend. No, I didn't get a new pet and I'm not having an acid flashback. I don't think. Wait. No. I'm fine.
A few postings back I announced that my play SONG OF THE LONE PRAIRIE ( re-named SONG OF THE CANYON KID to coincide with the new book) is being produced this summer at The Great American Melodrama and Vaudeville in Oceano, California.One of the sweetest things about this is that they contacted me. I didn't solicit them.

After receiving that swell news, I took the bulls by the bouillon and sent out this script along with LA RUE'S RETURN (which I co-wrote with Ed Thorpe) to some other theaters specializing in melodrama across the country. Even though most of them picked their 2014 seasons already, I jumped the gun and submitted them for 2015. Currently these two works o' mine (and Ed's of course) are being considered at theater companies in Colorado, California, Texas and even here in Oregon for next year. I guess my query skills have improved since I got a lot of bites when I cast my line in these waters.

One establishment I contacted was actually named Mel O'Drama Theater located in Nashville and son of a gun if I didn't get a bite. Melanie Roady, the owner/operator/namesake of M O'D had particular interest in LA RUE, but after reading it decided it didn't fit her particular format. You see, her group specializes in interactive murder mysteries, something I would have known if I had only read the website instead of taking the name at face value. What do you want from me? If I go to Barney's Beanery, I expect to see beans on the menu, not cupcakes.

However, Mel had a proposition for me. Would I like to try my hand at one of her shows based on her outline? Oh and by the way, the main character is a frog who solves the crime.

"Why sure," I agreed. "Wait a hippity-hoppity second here...a frog? A frog frog? Is this a Muppet murder mystery? Oh, a frog man. Like a scuba diver. Nooo...a man with frog-like characteristics. Okayyyyy...."

Francois is a character created in a series of paintings by artist Jann Harrison who also resides in Nashville. Jann has conceived a whole mythology that go along with each piece she's painted. So Francois is a suave, debonair bon vivant who is, to use her words, "a man in transition".
 http://www.jannharrison.com/

I agreed to pen a script but I was under a very tight deadline and the challenge itself proving rather daunting. Murder mysteries are not my first love and red herrings do not sit well in my tummy tum tum. Then to transform this man-frog, frog-man, lily pad lover to the stage and make him palatable as a main character was just icing on the fish cake.
What prompted me to continue was that the story was set in New Orleans, the same setting for LA RUE.which is what interested the producer in the first place. I'm crazy in love with the culture an lore of  N'Awlins and had the good fortune of just finishing up the finale episodes of TREME and the current season of AMERICAN HORROR STORY (which unfortunately ended very weakly). So I added Mardi Gras to the storyline as well as a touch of voodoo here and some Cajun spice there.
After two and a half weeks of banging my head against the wall trying to figure out the intricacies of who killed who and with what and how , I turned in a script with two possible endings (different killers for different nights). Challenge accepted, challenge met. Now it's time for some fine tuning.
What I didn't realize is that the show has already been pre-booked. Mel Roady got shows lined up for this froggy lil' epic beginning APRIL 12! And there's my name, prominently in the credits.

Such is the power of networking. I scored another gig. 2014 will see two separate productions on either side of the United States written by (ahem) Scott Cherney.

And I'm hungry for more

UPDATE: THE PERILS OF FRANCOIS has been re-named DEAD TUESDAY,  thanks to Jerri Wiseman of the StageCoach Theatre Company

DEAD TUESDAY is available at SCOTT CHERNEY'S STORE or to read a free excerpt go to my website WRITTEN BY SCOTT CHERNEY

Performance rights are available. For info, write to me : writtenbysc@gmail.com

Tell 'em Francois sent ya.