Of Mice and Me

So much for the best laid plans. 

I've come to the decision to bring my unfortunately short time as a playwright representative to a close. Therefore I am no longer handling Michael K. Young's CASE OF THE MYSTERIOUS CRAVAT or Terry Smith's trio of scripts MURDER ON THE BRITISH EXPRESS, PROPOSAL IS MURDER and MOONSHINE MURDERS. These two gentlemen have been very accommodating and patient throughout this process and I tip my non-existent cap to them. 

So what happened? Or should I ask what didn't happen? In recent years, I've had some success marketing my own scripts independently basically one theater at a time, a time-tested method that worked for me, hence the two dozen productions that I've had for my work. However it didn't translate very well with properties that were not my own. Try as I might, I was spinning my wheels and not gettin' nowhere for my clients. It wasn't that the entire enterprise was a total botch. I was able to score Mike a couple of productions in that time, but in the past year, it's quite frankly been a struggle. What started as a side hustle had devolved into a side hassle. My times at bat became a series of walks, fouls and complete whiffs, so if I felt it best that I bench myself and set my two fellow scribes free. It's a damn shame because I wanted to do this for some time, hopefully growing this into a self-sustaining business in these, what I hesitate to call, my twilight years. (Now what? A greeter at Wal-Mart? I hate blue vests!)

My own work was suffering as well. I have several projects sitting on an metaphorical shelf, collecting dust bunnies in the hutch that is my mind. My already established properties have also languished, taking a backseat to my agent responsibilities,  a perceived conflict of interest, though my plays have always been part of what I pompously called "my catalog of titles". Even though three of my scripts have been published by Off the Wall Plays, sales have never got beyond the flatline and I find the need to continuing to market these suckers myself for the honor and privilege of legitimacy. And my long-gestating book has already turned from a lifelong obsession into an albatross the size of a emu around my neck.

OFF THE WALL PLAYS

The time has come to revert back into my previous incarnation as a Charley Varrick wannabe (aka Last of the Independents). So I have to concentrate on my first, but last remaining client-ME.  My other sites-MURDER, MELODRAMA AND MORE! will remain as I add more content of my plays 'n stuff, not to mention but I will anyway, the mothership, WRITTEN BY SCOTT CHERNEY and the FB page of the same name.

MURDER, MELODRAMA AND MORE!

WRITTEN BY SCOTT CHERNEY

WRITTEN BY SCOTT CHERNEY FACEBOOK PAGE

Should an interest in Mike and Terry's interactive murder mystery scripts, feel free to contact me at: writtenbysc@gmail.com and I will forward your information to them.

As a personal note to Mike and Terry, thanks again for allowing me to be your playwright representative for the last little while. I hope you wish me the best of luck in my future endeavors because, unironically, that it what I wish for you guys.

Adios, amigos.

 

Off the Wall

It's a triple play...literally!

My first solo script, written WAY back in the latter part of the 20th century and produced on the stage of the late, great Palace Showboat Dinner Theater at Pollardville in Stockton, California, has just been published by Off the Wall Plays. 

This is my third script to be picked up by Off the Wall after the tropical adventure comedy ROXANNE OF THE ISLANDS and the interactive murder mystery MURDER-THE FINAL FRONTIER.

I hereby present to you...THE LEGEND OF THE ROGUE or MASK ME NO QUESTIONS.

Hard times have fallen on the Clayfoot Indian tribe with the arrival of Randolph Hitlear, an ex-Confederate general obsessed with idea of starting a second Civil War under his leadership. To finance this effort, Hitlear searches for the Clayfoot's mountain treasure, the Tomb of Gold. With the help of his dastardly henchmen, Ashley and Rhett, Hitlear forces the tribe into slavery to dig for the gold including the Clayfoot leader, Chief Boyardee. His daughter, Fawn, is a mystic who has the ability to speak to the Great Spirits. From them she learns of a prophecy that states that "the dark cloud of evil shall ride a warrior of good who shall become a savior". With that thought in mind, Fawn seeks the help of Brian Ryan in nearby Parched Throat, Arizona, a handsome young lawyer who moonlights as sheriff of this one lizard town. Brian falls in love with Fawn at first glance, raising the ire of saloon singer Sugar De Spice who wants to put her claws into the novice lawman herself. When the sheriff agrees to help, a jealous Sugar, along with the weasely corrupt Indian agent Percival P. Pestt, inform Hitlear. Laying in wait for the sheriff, Hitlear gets the upper hand upon Brian's arrival and in the fracas, Fawn is killed. When Brian is left for dead himself in the desert, Sugar has a change of heart and rescues him. Back in town, Fawn's spirit comes to him in his delirium and empowers Brian with special abilities given to him by the Great Spirits since he is indeed the warrior of good in the prophecy. Brian dons a mask and adopts the persona of the masked avenger known as The Rogue. He catches up to Hitlear just as he enters the fabled Tomb of Gold and thwarts his plans once and for all, saving the Clayfoot tribe and the nation from this vicious war criminal. And the rest is legendary... 

Performance rights are available for both professional and amateur theater productions including community groups, dinner shows, fundraising events, high school and college drama departments.  

CLICK HERE TO READ A PREVIEW OF LEGEND OF THE ROGUE AND FOR INFORMATION ABOUT PERFORMANCE RIGHTS

PLUS

THE LEGEND CONTINUES: AN INSIDE LOOK AT LEGEND OF THE ROGUE

MURDER-THE FINAL FRONTIER AN INTERGALACTIC INTERACTIVE MURDER MYSTERY

ROXANNE OF THE ISLANDS or THEY'RE PLAYING OUR SARONG-A TROPICAL ADVENTURE COMEDY 

Roxanne Redux

Ladies and gentleman, boys and girls, kids of all ages...

It is with a great deal of pride and pleasure that introduce to the world, the latest love of my life.
Her name...

ROXANNE OF THE ISLANDS.

Roxanne is the lead character in what I am calling a tropical adventure comedy melodrama, a mouthful to be sure while the full title of which is:

ROXANNE OF THE ISLANDS
or
THEY'RE PLAYING OUR SARONG

This piece of pure Cherney-ana has been published by Off the Wall Plays, the first of all my works not published by yours truly, a major moment in the life of me.

The story of this epic revolves around the brave and beautiful Roxanne on her home of Ooaheek Island in the South Pacific after World War II. Not only must she contend with a lovesick witch doctor named Zhivago and a 1000 year old goddess with daddy issues who's after her ship-wrecked sea captain boyfriend but also a volcano that just won't give a poor girl a break.

ROXANNE is based on a sub-genre of films from the late thirties-early forties set in far off islands in the South Seas, the more exotic, the better and accuracy be damned. Titles ranged from John Ford's THE HURRICANE to what became the norm, B-programmers like ALOMA OF THE SOUTH SEAS.

Both of these movies had another thing in common besides their theme and locale. They starred the enchanting and drop dead gorgeous Dorothy Lamour. Known mostly today as the foil of Hope and Crosby ROAD pictures, Lamour had quite a career prior to meeting the boys beginning as a big band singer in the 1930s. After moving to Hollywood, it wasn't long before she donned her first sarong in THE JUNGLE PRINCESS, which was such a hit for Paramount at the time, it type-cast from there on in. Dotty was major pin-up girl during WWII and sold so many war bonds she was nicknamed The Bombshell of Bombs. I wanted to write a melodrama with a strong heroine, deviating from the damsel in distress normally seen in this type of show and one not dependent on being rescued by the handsome hero. Dorothy Lamour fit the bill for me.

While this is the first melodrama script I've completed since SONG OF THE CANYON KID (aka LONE PRAIRIE), it began its life back in the 1980s. Where the idea came from originally, I haven't a clue What I recall is that after I wrote LEGEND OF THE ROGUE, I had a series of ideas for melos set in various genres and locations. It always started with the title: DESMOND OF THE DESERT or AN OASIS IN THE HOLE. STAN OF THE SEVEN SEAS or 20,000 LEAKS UNDER THE SEA and MIKE OF THE MISSISSIPPI or YOUNG MAN RIVER. (Yes, they all have subtitles) But initially, the script I leaned toward was JUNGLE FEVER or B'WANA BUY A DUCK featuring the pith helmeted hero Congo Ted. It didn't fly, as much as I struggled with it and eventually went on to the next, that being ROXANNE. I got about half way into it and...the engine stalled out. It ended up sitting in the front yard with the tires off, obviously going nowhere. Fortunately, I saved it because, when I unearthed it over the years, I liked what I wrote so much that I couldn't dispose of it completely. While I considered placing Congo Ted into the mix, I resisted since he would have detracted the true main character, the brave and lovely Roxanne. It took quite a few years, but after my recent success with my other melos, I felt a moral imperative to complete this sucker after all this time and finally, I done did.

I drew a lot of inspiration, as I always do with my melos, from the cartoons of Jay Ward Productions, most famously the creators of Rocky and Bullwinkle, among others along with my own personal fave, GEORGE OF THE JUNGLE. Much of my humor stems from this deep well of brilliant absurdity. My penchant for titles and sub-titles is straight out of a Rocky and Bullwinkle cliffhanger, many times my favorite part of an episode. ROXANNE itself is chock full o' references from the villain's name (Witch Doctor Zhivago) to Roxanne's sister,Fred  ("Papa wanted a boy." "Close, but no cigar.") and the setting, Ooaheek Island, which is the sound a bird makes when it flies to close to the volcano.

What really fueled my muse was when I decided to add a couple of musical numbers including a swing dance number to open ACT II. I couldn't think of a better tune in the world than Benny Goodman's Big Band classic interpretation of Louis Prima's "Sing Sing Sing" with the incomparable Gene Krupa on the drums. I listened to this constantly and found that it really drove the project home.

So there you have it, kitty cats. That's the origin of ROXANNE OF THE ISLANDS. Take a bow, sister. May the world fall in love with you as much as I have.

To read an elongated excerpt or to buy a copy (hint! hint!) go to OFF THE WALL PLAYS .

New Year's Hat Trick

Starting off 2020 with a bang, not a whimper (for a change) because three gosh-darn-it-to-heck swell things have made this the best start to a new year since, oh hell, I don't know. How about ever?

First up, my tropical adventure comedy melodrama (blimey, what a mouthful) entitled ROXANNE OF THE ISLANDS or THEY'RE PLAYING OUR SARONG  is about to be published by Off the Wall Plays. No, not self-published for a change like everything else o' mine, but a real honest to Buddha publishing house.

Ever since I started this leg of my Cherney Journey way back in the 20th century, I've sent out multiple submissions to various play publishers only to see my hopes dashed. Even in the past five years with shows with proven track records, I couldn't seem to break into the field, causing me to do the whole damn thing myself. Yes, it has reaped many benefits over time, but I still felt somehow illegitimate. With my inherent insecurity, I needed some additional validation. (What did I say about no whimpering?) Well, now that I have it, I can tell the stupid voices in my head to shut up already. (Some of them anyway, The others don't work weekends)

I'll post more info when it drops on the Off the Wall website.

Next, from the DIY division, the first play I wrote with Edward Thorpe, the New Orleans based melodrama LA RUE'S RETURN or HOW'S A BAYOU? will have its first full production of the new decade at the Graham Regional Theatre in Graham, Texas beginning January 31 and running until February 9. This production makes LA RUE the most popular show in my toolbox, a damn Energizer bunny that keeps going and going...

This also represents the culmination of a lot of hard work, getting this and my other plays out there to theaters hither and yon, then playing the nerve-wracking waiting game to get either a "Yay" or a "Nay" concerning their prospects for any upcoming theatrical seasons. When it pays off, it is always a sweet victory and, with LA RUE'S RETURN, I can share with my best friend Ed who got me started in this wacky business to begin with.

PREVIOUS POST: THE RETURN OF LA RUE'S RETURN

Finally, that waiting game is about to pay off for Michael K. Young's THE CASE OF THE MYSTERIOUS CRAVAT, the interactive murder mystery I've been shepherding for the past six months, has finally gotten a thumbs up from the Rogue Theatre in Sturgeon Bay, Wisconsin that has previously produced DEAD TUESDAY for me last year. I'm being vague about the theater company in question until we get the full confirmation. Fingers crossed that's it the first of many more to come. I'm happy for Mike because I know the feeling. The first production is like a dream come true, but the second is true validation. Bravo, sir.

For more information about Mike's script, contact me at: writtenbysc@gmail.com

It would behoove me to not believe in jinxes because I want this to be the year it all comes together. Since I am a hot neurotic mess, I always walk on thin ice, so a victory lap can be kind of dicey. However, I can honestly say for me in the year 2020, so far so good.

The Magnificent Sven

How Swede it is!

When I began writing my new melodrama ROXANNE OF THE ISLANDS OR THEY'RE PLAYING OUR SARONG, I needed a distinctive character for the first mate of the sea captain hero, and found one that I had long wanted to incorporate into one of my shows. It has suddenly dawned on me that this guy and I go way back in time, all the way to a western ghost town far, far away. So let me introduce to you, the act you've known for all these years...

Sven Bjorg Bjorn Gunther.

I didn't actually name him. A bunch of us use to watch The Muppet Show back in the day and I began to riff on The Swedish Chef, a favorite of all of all ours. In retrospect, it was probably as annoying as anyone and everyone who said "Excuse me!" in the worst Steve Martin impersonation ever. Anyway, my friend Greg came up with this name and it fit like a wooden shoe. (Yes, I know that's Dutch. Thanks you for your unnecessary correction)

At the same time, I had returned to the Pollardville Ghost Town (at that time re-named Tule Flats) for an extended stint as a weekend gunslinger. One of the gunfight skits we performed entitled "Poker Chip" featured a storekeeper character and, being the comic genius I purported to be, transformed him into Sven. By then, Sven had evolved, meaning that I ripped off another bit, that being Tim Conway's Mr. Tudball on The Carol Burnett Show. My, what a shameless thief I had  been. Truth to tell, I stole a lot from Conway and I don't mind saying it. He has always been a major inspiration for me. During a Fourth of July celebration at the Ghost Town, we opted to have a mayoral election. Of course. Sven had to run and, of course, Sven lost. Ah well. That day, a customer told me that my accent was wonderful and wouldn't I like to meet their friend visiting from Stockholm? No, I didn't. I soon put Sven out to pasture before he overstayed his welcome.

But as soon as I started writing ROXANNE, Sven Bjorg Bjorg Gunther had to be part of the cast, no ifs, ands or buts about it. He changed once more, becoming a little bit more like the great character actor John Qualen, a member of the John Ford stock company of players in good standing. Probably best remembered as Muley in THE GRAPES OF WRATH, he can also be seen in Ford's THE SEARCHERS and THE MAN WHO SHOT LIBERTY VALANCE , but also poor Earl Williams in HIS GIRL FRIDAY. His role in THE LONG VOYAGE HOME is probably the closest to Sven himself, almost an exact role model.

So that's the story of the impact this Swedish meatball had on my life. In the words of The Swedish Chef himself...

BORK! BORK! BORK!

Whatever that means.

ROXANNE OF THE ISLANDS OR THEY'RE PLAYING OUR SARONG is now available at
OFF THE WALL PLAYS. Go forth now for a FREE extended preview. Performance rights are available.

I thank you. Sven thanks you.

Roxanne of the Islands

Ladies and gentleman, boys and girls, kids of all ages...

It is with a great deal of pride and pleasure that introduce to the world, the latest love of my life.
Her name...
ROXANNE OF THE ISLANDS.

Roxanne is the lead character in what I am calling a tropical adventure comedy melodrama, the full title of which is:

ROXANNE OF THE ISLANDS
OR
THEY'RE PLAYING OUR SARONG

This piece of pure Cherney-ana has been published by Off the Wall Plays, the first of all my works not published by yours truly, a major moment in the life of me.

The story of this epic revolves around the brave and beautiful Roxanne on her home of Ooaheek Island in the South Pacific after World War II. Not only must she contend with a lovesick witch doctor named Zhivago and a 1000 year old goddess with daddy issues who's after her ship-wrecked sea captain boyfriend but also a volcano that just won't give a poor girl a break.

ROXANNE is based on a sub-genre of films from the late thirties-early forties set in far off islands in the South Seas, the more exotic, the better and accuracy be damned. Titles ranged from John Ford's THE HURRICANE to what became the norm, B-programmers like ALOMA OF THE SOUTH SEAS.

Both of these movies had another thing in common besides their theme and locale. They starred the enchanting and drop dead gorgeous Dorothy Lamour. Known mostly today as the foil of Hope and Crosby ROAD pictures, Lamour had quite a career prior to meeting the boys beginning as a big band singer in the 1930s. After moving to Hollywood, it wasn't long before she donned her first sarong in THE JUNGLE PRINCESS, which was such a hit for Paramount at the time, it type-cast from there on in. Dotty was major pin-up girl during WWII and sold so many war bonds she was nicknamed The Bombshell of Bombs.

I wanted to write a melodrama with a strong heroine, deviating from the damsel in distress normally seen in this type of show and one not dependent on being rescued by the handsome hero. Dorothy Lamour fit the bill for me.

While this is the first melodrama script I've completed since SONG OF THE CANYON KID (aka LONE PRAIRIE), it began its life back in the 1980s. Where the idea came from originally, I haven't a clue What I recall is that after I wrote LEGEND OF THE ROGUE, I had a series of ideas for melos set in various genres and locations. It always started with the title: DESMOND OF THE DESERT OR AN OASIS IN THE HOLE. STAN OF THE SEVEN SEAS OR 20,000 LEAKS UNDER THE SEA and MIKE OF THE MISSISSIPPI OR YOUNG MAN RIVER. (Yes, they all have subtitles) But initially, the script I leaned toward was JUNGLE FEVER OR B'WANA BUY A DUCK featuring the pith helmeted hero Congo Ted. It didn't fly, as much as I struggled with it and eventually went on to the next, that being ROXANNE. Besides, I wanted a strong female protagonist that could carry the whole story. I got about half way into it and...the engine stalled out. It ended up sitting in the front yard with the tires off, obviously going nowhere. Fortunately, I saved it because when I unearthed it over the years, I liked what I wrote so much that I couldn't dispose of it completely. While I considered placing Congo Ted into the mix, I resisted since he would have detracted the true main character, the brave and lovely Roxanne. It took quite a few years, but after my recent success with my other melos, I felt a moral imperative to complete this sucker after all this time and finally, I done did.

I drew a lot of inspiration, as I always do with my melos, from the cartoons of Jay Ward Productions, most famously the creators of Rocky and Bullwinkle, among others along with my own personal fave, GEORGE OF THE JUNGLE. Much of my humor stems from this deep well of brilliant absurdity. My penchant for titles and su-titles is straight out of a Rocky and Bullwinkle cliffhanger, many times my favorite part of an episode. ROXANNE itself is chock full o' references from the villain's name (Witch Doctor Zhivago) to Roxanne's sister,Fred  ("Papa wanted a boy." "Close, but no cigar.") and the setting, Ooaheek Island, which is the sound a bird makes when it flies to close to the volcano.

What really fueled my muse was when I decided to add a couple of musical numbers including a swing dance number to open ACT II. I couldn't think of a better tune in the world than Benny Goodman's Big Band classic interpretation of Louis Prima's "Sing Sing Sing" with the incomparable Gene Krupa on the drums. I listened to this constantly and found that it really drove the project home.

So there you have it, kitty cats. That's the origin of ROXANNE OF THE ISLANDS. Take a bow, sister. May the world fall in love as much as I am.

To read an elongated excerpt or to buy a copy (hint! hint!) go to OFF THE WALL PLAYS .